what happened to zeb brother on how the west was won
| How the West Was Won | |
|---|---|
 Original film affiche past Reynold Dark-brown | |
| Directed past |
|
| Written by | James R. Webb |
| Produced past | Bernard Smith |
| Starring |
|
| Narrated by | Spencer Tracy |
| Cinematography |
|
| Edited by | Harold F. Kress |
| Music by | Alfred Newman |
| Production |
|
| Distributed by | Metro-Goldwyn-Mayer |
| Release dates |
|
| Running fourth dimension | 164 minutes |
| Land | United states of america |
| Language | English |
| Budget | $xv million |
| Box office | $l million |
How the Due west Was Won is a 1962 American epic Western moving-picture show directed by Henry Hathaway (who directs three out of the v capacity involving the same family unit), John Ford and George Marshall, produced by Bernard Smith, written past James R. Webb, and narrated by Spencer Tracy. Originally filmed in true three-lens Cinerama with the according 3-panel panorama projected onto an enormous curved screen, the film stars an ensemble cast consisting of (in alphabetical club) Carroll Baker, Lee J. Cobb, Henry Fonda, Carolyn Jones, Karl Malden, Gregory Peck, George Peppard, Robert Preston, Debbie Reynolds, James Stewart, Eli Wallach, John Wayne and Richard Widmark. The supporting bandage features Brigid Bazlen, Walter Brennan, David Brian, Ken Curtis, Andy Devine, Jack Lambert, Raymond Massey as Abraham Lincoln, Agnes Moorehead, Harry Morgan as Ulysses S. Grant, Thelma Ritter, Mickey Shaughnessy, Harry Dean Stanton, Russ Tamblyn and Lee Van Cleef.
How the West Was Won is widely considered one of Hollywood'south greatest epics.[1] The picture show received widespread critical acclaim and was a box role success, grossing $50 million on a upkeep of $15 one thousand thousand.[ii] At the 36th Academy Awards, it earned 8 nominations, including Best Picture, and won three, for Best Story and Screenplay Written Direct for the Screen, All-time Sound and Best Film Editing. In 1997, information technology was selected for preservation in the United States National Motion-picture show Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]
Plot [edit]
The film begins with narration by Spencer Tracy as the aerial-borne camera sweeps over the Rocky Mountains. "This land has a name today", says Tracy in the opening lines of the film, "and is marked on maps."
The motion picture then moves into "The Rivers" sequence (considerably to the e of the Rockies).
The Rivers (1839) [edit]
Mountain homo Linus Rawlings (Stewart) is making his way past equus caballus and waterway through the mountains. He confers with a group of Native Americans. The scene then shifts to Zebulon Prescott and his family.
Prescott (Malden) and his family set out westward for the borderland via the Erie Canal, the "Due west", at this time, being the Ohio River country, at the southern border of Illinois. Along the journeying, they meet Rawlings, who is traveling e, to Pittsburgh, to trade his furs. Rawlings and Zebulon'south daughter, Eve (Carroll Baker), are attracted to each other, but Linus is non ready to settle down.
Rawlings stops at an isolated trading post, run by a murderous clan of river pirates, headed by "Alabama Colonel" Jeb Hawkins (Walter Brennan). Linus is betrayed when he accompanies Jeb'south seductive girl Dora Hawkins (Brigid Bazlen) into a cave, modeled after a real outlaw haunt, now a part of Cave-in-Rock Country Park, to run across a "varmint". Dora Hawkins stabs him in the back and Rawlings falls into a deep pigsty. He is not seriously wounded, and he rescues the Prescott political party from a similar fate. The bushwhacking thieves (Lee Van Cleef plays one), including Dora Hawkins, are dispatched, being killed in an attack by Rawlings, in a form of rough frontier justice.
After Zebulon prays to God for their lost loved ones and commends to Him the thieves' souls "whether You desire 'em or non", the settlers continue down the river, but their raft is caught in rapids, and Zebulon and his married woman Rebecca (Agnes Moorehead) drown. Linus, finding that he cannot live without Eve, reappears and marries her. She insists on homesteading at the spot where her parents died.
This section was directed by Henry Hathaway.
The Plains (1851) [edit]
The wagon train is attacked by Cheyenne warriors.
Eve's sister Lilith (Debbie Reynolds) chose to become back East merely subsequently some years finds herself touring in St. Louis, where she and her phase troupe are hired to perform their acts at the Music hall. She attracts the attention of professional gambler Cleve Van Valen (Gregory Peck). Afterward overhearing that she has just inherited a California gold mine, and to avert paying his debts to another gambler (John Larch), Cleve joins the wagon railroad train taking her there. Wagonmaster Roger Morgan (Robert Preston) and he court her forth the way, simply she rejects them both, much to the dismay of her new friend and fellow traveler Agatha Clegg (Thelma Ritter), who is searching for a married man.
Surviving an attack past Cheyennes, Lilith and Cleve arrive at the mine, only to notice that it is worthless. Cleve leaves. Lilith returns to piece of work in a trip the light fantastic toe hall in a military camp boondocks, living out of a covered wagon. Morgan finds her and again proposes marriage unromantically. She tells him, "Non now, not ever."
After, Lilith is singing in the music salon of a riverboat. By run a risk, Cleve is a passenger. When he hears Lilith's vocalism, he leaves the poker table (and a winning paw), tells her he fell in love with her at first sight, and proposes to her. He tells her of the opportunities waiting in the rapidly growing city of San Francisco. She accepts his proposal.
This department also was directed past Henry Hathaway.
The Civil State of war (1861–1865) [edit]
Linus Rawlings joins the Union army every bit a captain in the American Ceremonious War. Despite Eve's wishes, their son Zeb (Peppard) eagerly enlists equally well, looking for glory and an escape from farming. Corporal Peterson (Andy Devine) assures them the conflict volition not final very long. The bloody Battle of Shiloh shows Zeb that state of war is cypher like he imagined, and unknown to him, his male parent dies in that location. Zeb encounters a similarly disillusioned Amalgamated (Russ Tamblyn), who suggests deserting.
By chance, they overhear a individual chat between generals Ulysses S. Grant (Harry Morgan) and William Tecumseh Sherman (Wayne). The insubordinate realizes he has the opportunity to rid the Due south of two of its greatest enemies and tries to shoot them, leaving Zeb no choice but to kill him with the bayonet from his shattered musket. Afterward, Zeb rejoins the army.
When the state of war finally ends, Zeb returns home equally a lieutenant, merely to find his mother has died. She had lost the volition to alive afterwards learning that Linus had been killed. Zeb gives his share of the family unit farm to his brother, who is content to be a farmer, and leaves in search of a more than interesting life.
This section was directed by John Ford.
The Railroad (1868) [edit]
The construction of railroads
Following the daring riders from the Pony Express and the construction of the transcontinental telegraph line in the late 1860s, ii ferociously competing railroad lines, the Primal Pacific Railroad and the Union Pacific Railroad, ane edifice due west and the other eastward, open upwardly new territory to eager settlers.
Zeb becomes a lieutenant in the U.S. cavalry, trying to maintain peace with the Native Americans with the help of grizzled buffalo hunter Jethro Stuart (Fonda), an former friend of Linus'. When ruthless railroad man Mike Male monarch (Widmark) violates a treaty by edifice on Indian territory, the Arapahos retaliate by stampeding buffalo through his campsite, killing many, including women and children. Disgusted, Zeb resigns and heads to Arizona.
A subplot was cut featuring Hope Lange as Stuart's daughter, Julie, who becomes involved in a love triangle with Zeb and Male monarch; she ultimately marries and abandons Zeb.[4] [v]
This section was directed by George Marshall.
The Outlaws (1889) [edit]
The desperadoes who desire to rob the railroad train
In San Francisco, widowed Lilith auctions off her possessions (Cleve and she had made and spent several fortunes) to pay her debts. She travels to Arizona, inviting Zeb and his family to oversee her remaining asset, a ranch.
Zeb (now a marshal), his wife Julie (Carolyn Jones) and their children encounter Lilith at Gilt City's railroad train station. Withal, Zeb as well runs into an old enemy at that place, outlaw Charlie Gant (Wallach). Zeb had killed Gant's brother in a gunfight. When Gant makes veiled threats against Zeb and his family, Zeb turns to his friend and Gilded City'south align, Lou Ramsey (Lee J. Cobb), simply Gant is not wanted for annihilation in that territory, and then Ramsey can do nothing.
Zeb decides he has to act rather than look for Gant to make good his threat someday. Suspecting Gant of planning to rob an unusually large gilt shipment being transported by train, he prepares an ambush with Ramsey's reluctant help. Gant and his unabridged gang (one fellow member played by Harry Dean Stanton) are killed in the shootout and resulting train wreck. In the end, Lilith and the Rawlings family travel to their new home.
This section as well was directed by Henry Hathaway.
Epilogue [edit]
The due west that was won by its pioneers, settlers, adventurers is long gone now. Withal information technology is theirs forever, for they left tracks in history that will never exist eroded by air current or pelting – never plowed under by tractors, never cached in a compost of events. Out of the hard simplicity of their lives, out of their vitality, of their hopes and sorrows grew legends of courage and pride to inspire their children and their children'due south children. From soil enriched by their claret, out of their fever to explore and build, came lakes where in one case in that location were burning deserts – came the goods of the earth; mine and wheat fields, orchards and great lumber mills. All the sinews of a growing country. Out of their rude settlements, their trading posts came cities to rank among the swell ones of the world. All the heritage of a people free to dream, costless to act, costless to mold their own destiny.
—Final narration of the film by Spencer Tracy
A short epilogue shows how mod America has grown from the West in the early 1960s, which includes footage of the Hoover Dam, the iv-level downtown throughway interchange in Los Angeles and the Golden Gate Bridge in San Francisco.
This section also was directed past Henry Hathaway.
Cast [edit]
- Spencer Tracy equally Narrator
The film marked then 66-year-onetime Raymond Massey's last advent every bit Abraham Lincoln, a role that he previously played on phase (Abe Lincoln in Illinois and the phase adaptation of John Brown's Body), on screen (Abe Lincoln in Illinois) and on television (The Twenty-four hour period Lincoln Was Shot, and ii more than productions of Abe Lincoln in Illinois).
Product [edit]
Evolution [edit]
MGM had enjoyed a great success with the large screen remake of Ben-Hur (1959) and initiated a number of spectacles, including remakes of Cimarron, Iv Horsemen of the Apocalypse and Wildcat on the Compensation.[6]
In 1960, MGM struck a deal to produce four films in the Cinerama process, and Bing Crosby approached the studio with a suggestion. He was developing a television spectacular chosen How the West Was Won based on photographs of the Quondam West in Life, with profits earmarked for St. John's Infirmary, along with an album inspired by the same commodity recorded with Rosemary Clooney. MGM purchased the film rights from Crosby.[7]
MGM appear the project in June 1960, originally titled The Great Western Story. The plan was to film a story of six segments featuring 12 stars, with a cohesive overall storyline. Amid the historical figures to be featured were Buffalo Bill, the James brothers and Baton the Kid.[8] [nine] St. John's Hospital president Irene Dunne and others persuaded the moving-picture show'southward stars to take less than their usual fees. All the same, the infirmary later sued for a share of the film's profits.[ten]
Bernard Smith was assigned as producer, and he hired James Webb to write the script.[7] George Peppard was announced as the atomic number 82 in October 1960, and Irene Dunne and Bing Crosby were originally announced as stars.[xi] Laurence Harvey and John Wayne were too slated to appear in one sequence together.[12]
By April 1961, Wayne and Spencer Tracy had confirmed their plans to play generals Sherman and Grant for a segment directed by John Ford, and James Stewart had been signed as well.[thirteen] Other roles would go to Gregory Peck, Debbie Reynolds, Russ Tamblyn and Carroll Baker, while Henry Hathaway and George Marshall would also direct from a script by James Webb. Crosby was scheduled to provide narration.[14] Jim Hutton was intended to appear in the Ceremonious War segment.[15] Eventually, Harry Morgan appeared as Grant when Tracy was unavailable.
Ultimately, the moving picture independent five sections: the 1830s migration, the 1840s gold rush, the Ceremonious War, the construction of the railroad and the "taming" of the Wild W, with i family's story over 3 generations providing the span between each time menstruation. The budget was set to at least $8 million. John Ford directed the Civil War segment, George Marshall the railroad segment and Henry Hathaway the remainder.[vii] "We wanted three one-time pros, no young geniuses," said Smith.[16]
Cinerama [edit]
How the Westward Was Won was one of only two dramatic feature films (along with The Wonderful World of the Brothers Grimm) produced with the three-strip Cinerama procedure. Although the film quality when projected onto curved screens in theaters is stunning, attempts to convert the film to a smaller screen suffer. When the film is projected in letterbox format, the actors' faces are nearly indistinguishable in long shots.
Shooting [edit]
Filming started in May 1961 by John Ford in Paducah, Kentucky. Producer Bernard Smith said, "It is essential for our purposes that virtually the whole movie be shot outdoors. Throughout the pic, one of the basic themes is to prove niggling people against a vast country – huge deserts, endless plains towering mountains, broad rivers. We want to capture the spirit of hazard, the restless spirit that led these men and women across the land in [the] face of many difficulties and dangers."[17]
Later on Ford finished his segment, Hathaway took over on location.[17]
Parts of the movie were shot in Monument Valley, Utah[xviii] and in Wildwood Regional Park in Thousand Oaks, California.[19] [20]
Ford complained about having to dress such huge sets, as Cinerama photographed a much wider view than did the standard unmarried-camera process to which Hollywood directors were accustomed. Director Henry Hathaway was quoted as saying, "That damned Cinerama. Do you know a waist-shot is every bit close as you can get with that thing?"[21]
A more difficult problem was that filming required that the actors to be artificially positioned out of dramatic and emotional frame and out of synchronization with one some other. Only when the three-impress Cinerama process was projected upon a Cinerama screen did the positions and emotions of the actors synchronize, such as normal center contact or emotional harmony between actors in a dramatic sequence. Because of the nature of Cinerama, if the pic were shown in flat-screen projection, it would appear as if the actors made no eye contact. One brief scene of Mexican soldiers was sourced by John Wayne from his 1960 version of The Alamo.
Stuntman Bob Morgan, husband of Yvonne De Carlo, was seriously injured and lost a leg during a pause in filming a gunfight on a moving railroad train while filming the Outlaws portion. Chains holding logs on a flatbed car bankrupt, crushing Morgan as he crouched abreast them.[22]
In a scene in which George Peppard'south character reminisces nearly his late begetter, Peppard improvises with an false of James Stewart's voice. Ford initially objected, but Peppard felt that it was important in such a long, sprawling picture to remind the audience which grapheme his father was supposed to be.
Hathaway later on said that making the movie was "goddam trouble. They had an idiot for a producer and Sol Siegel was drunk most of the time. We spent and so much coin on the pic they almost decided non to practice the concluding part. We had a meeting, and I said, 'You tin can't quit. You've got to prove how the West was won. The West was won when the police force took over'."[23]
Mail-production [edit]
Filming was completed in January 1962. After the picture show was shot, MGM ordered a new ending that resolved the family unit story, which caused shooting to continue for another month and included George Peppard and Debbie Reynolds.[24] The budget eventually reached $12 million.[25]
The film afterwards inspired a television series of the same name.
Music [edit]
The film'southward music was composed and conducted by Alfred Newman. The soundtrack anthology was originally released by MGM Records. Dimitri Tiomkin, known his Western film scores, was the outset composer approached, but he became unavailable post-obit centre surgery and Newman was hired as a replacement.
The score is widely considered[ by whom? ] as among Newman's all-time, and it appears on the AFI's 100 Years of Moving picture Scores list. Information technology was nominated for the Academy Award for Best Original Score, losing to the score for Tom Jones.
Debbie Reynolds sings iii songs in the film: "Raise a Ruckus Tonight" starting a political party around the military camp fire, "What Was Your Name in usa?" and "A Abode in the Meadow" to the tune of "Greensleeves," with lyrics by Sammy Cahn.[26] Her rendition is heard by Cleve (Gregory Peck), who is then moved that he proposes union. This scene ends the Plains segment.
Reception [edit]
Original trailer for How the West Was Won
Premiere [edit]
Surprisingly for such an American picture, How the West Was Won had its world premiere in the Uk at London'south Casino Cinerama Theatre on November 1, 1962.[27] It had a $450,000 accelerate.[28] The pic ran at the Casino for 123 weeks, ending in April 1965.
Critical reception [edit]
Harold Myers of Diversity called it a "magnificent and exciting spectacle" and in relation to the Cinerama process noted that in that location had been "a vast comeback in the process. The impress joins are barely noticeable, and the wobble, which beset before productions, has been eliminated."[28] Reviews from London were favorable but with reservations over the storyline. Alexander Walker of the Evening Standard called it "a super-ballsy which shucks away your composure. If ever I heard the sound of success it is this." The Times said "information technology has a kind of surge and splendour and extravagance non to be despised."[29]
Box-part performance [edit]
How the W Was Won was a massive commercial success. Produced on a then-large budget of $15 million, information technology grossed $46,500,000 at the Due north American box office,[30] making it the second-highest-grossing film of 1963. The film has grossed over $50 1000000 worldwide.[2]
Accolades [edit]
The following people won Academy Awards for their piece of work:[31] [32]
- James R. Webb – All-time Writing, Story and Screenplay – Written Directly for the Screen
- Harold F. Kress – Best Moving-picture show Editing
- Franklin Milton – Best Audio
The following were nominated for 5 other Academy Awards:
- Bernard Smith – Best Film
- George Davis, William Ferrari, Addison Hehr, Henry Grace, Don Greenwood Jr. and Jack Mills – Best Art Direction – Set Ornament, Colour
- William Daniels, Milton Krasner, Charles Lang and Joseph LaShelle – Best Cinematography, Color
- Walter Plunkett – Best Costume Design, Color
- Alfred Newman and Ken Darby – Best Music, Score – Substantially Original
The picture is recognized past American Film Institute in these lists:
- 2005: AFI'due south 100 Years of Pic Scores – number 25[33]
- 2006: AFI'south 100 Years...100 Thanks – Nominated[34]
- 2008: AFI'due south x Pinnacle x:
- Nominated Western Film[35]
- Nominated Epic Movie[35]
Restoration [edit]
In 2000, MGM assigned Crest Digital the job of restoring the original Cinerama negative for How the West Was Won. As part of the process, Crest Digital built its own accurate Cinerama screening room.[36] Hewlett-Packard has led efforts[37] to combine the iii image portions to make the Cinerama paradigm look more acceptable on a apartment screen. This has finally been accomplished on the latest DVD and Blu-ray disc release. Previously, the lines where the three Cinerama panels join were glaringly visible, but this has been largely corrected on the Warner Bros. DVD and Blu-ray releases. However, the joints remain visible in places, especially against bright backgrounds.
The restoration also corrects some of the geometric distortions inherent in the process. For example, in the final shot, the Golden Gate Bridge appears to curve in perspective as the camera flies underneath it whereas in the Cinerama version, it breaks into three direct sections at dissimilar angles.
The Blu-ray disc also contains a "SmileBox" version simulating the curved-screen result.
Though the aspect ratio of Cinerama is 2.59:1, Warner's new releases of the picture show offer an aspect ratio of 2.89:1, incorporating much information on both sides that was not intended to be seen when projected. The Blu-ray-sectional SmileBox alternative contains the intended cropping intact.
In 2006, Warner Bros. Motility Picture Imaging performed digital restoration on How the West Was Won. The film was restored frame by frame at Prasad Corporation to remove clay, tears, scratches and other damage, restoring the film's original advent.[38] The restored version has been shown on tv since Oct 2008 on the Encore Westerns channel.[39] [40] [41]
Adaptations [edit]
- Gold Fundamental Comics: How the Due west Was Won (July 1963)[42]
- The novelization was written in 1962 past well-known Western writer Louis L'Amour. Co-ordinate to his son Beau, his begetter had frequent clashes with the studio both over elements of inauthenticity and inaccuracy in the film and with the indecisiveness of the studio regarding the segments to be fabricated (and thus, those that Fifty'Amour would need to include in the novelization).[43]
Run across also [edit]
- List of American films of 1963
- Listing of American films of 1962
References [edit]
- ^ "How The West Was Won". Encyclopedia.com. Retrieved November i, 2020.
- ^ a b "Box function / business for How the West Was Won". IMDb. Archived from the original on March 15, 2016. Retrieved November one, 2020 – via Net Archive.
- ^ "New to the National Film Registry | Librarian Names 25 More than Films". Library of Congress. Retrieved Nov 1, 2020.
- ^ Pylant, James (2012). In Morticia's Shadow: The Life and Career of Carolyn Jones. Jacobus Books. p. 116.
- ^ "HOW THE WEST WAS WON: DELETED SCENES". HOW THE WEST WAS WON: The Making of MGM's classic Cinerama epic movie.
- ^ Scheuer, P.K. (July 7, 1960). "Five pictures put on Bresler's S1ate". Los Angeles Times. ProQuest 167665329.
- ^ a b c MURRAY, S. H. (May 21, 1961). "HOLLYWOOD Ballsy". New York Times. ProQuest 115262156.
- ^ R.S. (July 24, 1960). "PUTTING THE Old Westward ON NEW DISKS". New York Times. ProQuest 115179286.
- ^ "Screen news and notes". New York Times. June 21, 1960. ProQuest 114942098.
- ^ Hopper, Hedda (August vii, 1964). "Affliction Will Force Determination on 'Hush': Picture May Be Chosen Off; Loretta Young Refuses Lead". Los Angeles Times.
- ^ Hopper, H. (October 1, 1960). "Metro sets three cinerama movies". Los Angeles Times. ProQuest 167807467.
- ^ A.H. WEILER. (March five, 1961). "VIEW FROM A LOCAL VANTAGE Point". New York Times. ProQuest 115302712.
- ^ Hopper, H. (April 21, 1961). "Looking at Hollywood". Chicago Daily Tribune. ProQuest 182872487.
- ^ Scheuer, P.K. (Apr 28, 1961). "Large-names roster in 'due west' growing". Los Angeles Times. ProQuest 167862019.
- ^ Hopper, H. (May half-dozen, 1961). "Entertainment". Los Angeles Times. ProQuest 167896026.
- ^ Scheuer, P. 1000. (September 3, 1961). "Hollywood unlimbers big guns to win west". Los Angeles Times. ProQuest 167896925.
- ^ a b HOWARD, T. P. (June xviii, 1961). "OUT 'WEST' IN CINERAMA". New York Times. ProQuest 115280725.
- ^ D'Arc, James Five. (2010). When Hollywood came to town: a history of moviemaking in Utah (1st ed.). Layton, Utah: Gibbs Smith. ISBN978-1-4236-0587-iv.
- ^ "Locally filmed Westerns 'Butch Cassidy,' 'Gunsmoke' part of Conejo film fest". www.vcstar.com.
- ^ "Conejo film fest highlights Westerns". Thousand Oaks Acorn. November 12, 2015.
- ^ Take Ane. Unicorn Pub. 1976. p. eleven. Retrieved September 14, 2018.
That Goddamned Cinerama; do you lot know that a waist shot is as close equally you tin get with that thing?
- ^ "How the West Was Won". Snopes.com. Retrieved May 14, 2014.
- ^ Davis, Ronald L. (2005). But Making Movies . Academy Printing of Mississippi. p. 150.
- ^ Hopper, H. (February 14, 1962). "Looking at hollywood". Chicago Daily Tribune. ProQuest 183099736.
- ^ Staff Reporter (April ix, 1962). "MGM and cinerama to release commencement joint film this summer". Wall Street Journal. ProQuest 132751362.
- ^ "How The West Was Won: the lyrics to the songs". Retrieved December 28, 2016.
- ^ "Lastfogel Calls London the All-time Hard Ticket City in the World". Variety. Nov vii, 1962. p. 19.
- ^ a b Myers, Harold (November 7, 1962). "Film Reviews: How the West Was Won". Multifariousness. p. 6.
- ^ "London Critics Rave Over 'West'". Variety. Nov vii, 1962. p. nineteen.
- ^ Box Office Information for How the West Was Won. The Numbers. Retrieved September 2, 2013.
- ^ "The 36th Academy Awards (1964) Nominees and Winners". oscars.org . Retrieved Baronial 23, 2011.
- ^ "NY Times: How the West Was Won". Movies & Goggle box Dept. The New York Times. Baseline & All Movie Guide. 2011. Archived from the original on March 11, 2011. Retrieved Dec 25, 2008.
- ^ "AFI'southward 100 Years of Film Scores" (PDF). American Film Found. Retrieved August 14, 2016.
- ^ "AFI's 100 Years...100 Cheers Nominees" (PDF) . Retrieved August 14, 2016.
- ^ a b "AFI's x Top 10 Nominees" (PDF). Archived from the original on July sixteen, 2011. Retrieved August xix, 2016.
{{cite web}}: CS1 maint: bot: original URL condition unknown (link) - ^ "Cinerama Dome Moves Forward". Hollywoodheritage.org. Archived from the original on May 12, 2013. Retrieved May 14, 2014.
- ^ "HP Labs – Movie makeover : HP and Warner Bros. give old movies new life". www.hpl.hp.com.
- ^ From Grain to Pixel: The Archival Life of Picture in Transition, annotation 189, By Giovanna Fossati
- ^ "economictimes, Strategic brotherhood for cosmos of digital intermediaries, Dec 17, 2007".
- ^ "Warner bros., Prasad Corp form strategic brotherhood | News". Glamsham.
- ^ "prasadgroup.org, Digital Film Restoration" (PDF). Archived from the original (PDF) on October 13, 2014.
- ^ "Gold Central: How the West Was Won". Grand Comics Database.
- ^ Fifty'Amour, Louis (September 2017). How The West Was Won. New York, NY: Bantam Books. pp. 371–386. ISBN9780425286098.
External links [edit]
- How the Due west Was Won at IMDb
- How the Due west Was Won at AllMovie
- How the West Was Won at the TCM Movie Database
- How the Westward Was Won at the American Pic Institute Catalog
- How the West Was Won at Rotten Tomatoes
- How the Due west Was Won essay past Daniel Eagan in America's Picture Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pages 584–586 [ane]
Source: https://en.wikipedia.org/wiki/How_the_West_Was_Won_(film)#:~:text=Zeb%20had%20killed%20Gant's%20brother,so%20Ramsey%20can%20do%20nothing.